Author Envy

17 Feb

I would not say that I am, by nature, a jealous person. If I want something, I don’t sulk about that I am without it – I instead try to work towards attaining it in practical ways.

Of course, there are things that we all covet. Power, the ability to yield influence, love, sex, freedom from laws we feel restrict us. This type of jealousy is mental jealousy – the envy of states of mind and being greater than others.

There is also object jealousy – money, bars of shining gold, a yacht, the Marc Jacobs A/W collection, that amazing Porsche that just drove by. These are tangible; we want them in our hands to add to our possessions and laud over our neighbours.

Several days ago, I discovered a new form of jealously. I call it author envy.

What prompted this discovery?

I finished reading “One Hundred Years of Solitude” by Gabriel Garcia Marquez.

And as I turned the last page, a plethora of emotions swooped to the forefront of my mind like hungry black crows to a rabbit carcass. Awe. Sadness. Bewilderment. But one hungry crow flapped its wings harder and squawked louder than any other – envy.

Gabriel Garcia Marquez, I crowed, I want to write like you! Why can’t I write like you!?

The novel’s phenomenal force aside – the interwoven narratives, the hard as nails, yet completely sympathetic characters, and the world of Macondo, which seems at once as real as your own skin yet as far away as another galaxy – Garcia Marquez had stirred within me a deep and inexplicable envy.

For a novel such as this is not written a chapter here, a chapter there - an hour a week squeezed into a life of slave-waging for our superiors – no. The story has it that Garcia Marquez relinquished all other avenues of his existence including family, finances, employment and leisure for 18 months to dedicate himself completely to the perfection and eventual completion of the novel.

Would I have that dedication? Do I have such mental discipline? Not in a million years.

Author envy is a difficult state of mine to depict. I am now reading Dale Carnegie’s “How to Win Friends and Influence People” and in it he quotes Ralph Waldo Emerson:

In every work of genius we recognise our own rejected thoughts; they come back to us with a certain alienated majesty.

This is how I can best describe author envy. It is an untamed and shameful jealousy of the talent of the author, but also a deep gratitude that they have been able to give life to thoughts you had been hitherto unable to articulate. It is the sharp intake of breath as you read a passage that speaks to you in a way that is other worldly, and the concurrent frustration of knowing that, no matter how hard you try or how many drafts you write, there are some minds that will transcend good writing to become everlasting writing.

Garcia Marquez will be read forever – he is infinite, whereas I am, and my work, is finite. And for someone as arrogant as me, that is a humbling realisation.

Have you ever experienced author envy? If so, what was the book, or who was the author, that spurred within you such resentment, strangely coupled with profound admiration?

I’ll leave you with my favourite passage from “One Hundred Years of Solitude.” This had me, simply sprung of its transcendent beauty and perfect description of love, chanting internally, “yes, yes, yes…”

The house became full of love. Aureliano expressed it in poetry that had no beginning and no end. He would write it on the harsh pieces of parchment that Melquiades gave him, on the bathroom walls, on the skin of his arms, and in all of it Remedios would appear transfigured: Remedios in the soporific air of two in the afternoon, Remedios in the soft breath of the roses, Remedios in the water-clock secrets of the moths, Remedios in the steaming morning bread, Remedios everywhere and Remedios forever.

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When the dance ends

10 Feb
 

 

tonight I went to see you dance for the first time

and you raped the crowd

with your movement; thinking

wow, how could it be that I never knew you and

holy, holy, I have seen you lying still as bones in mid-morning sleep,

mornings that are thousands of loves deep

but now you dance

and it makes the air unclean with

smoke and mirrors as you emit

lights from your womanly, ballerina fingers and fly

across the stage and you keep

raping the crowd again and again without remorse. what?

I’ve known you

eating cereal and cursing when you splash milk on your tie

but never have I known you

hoisting impossibly tiny women above your head in step to music

that we’ve only listened to in the car on the way to the airport but

no, no it can’t be that I don’t know you at all

because I’m sitting in the crowd

and your face, which I suddenly don’t recognise, is

illuminated by a light so full it spills over your features like

beer foam over the top of cold pitchers that we

drank in the pub down the road.

you are floating above the floor draped in white sheets like a ghost

and I used to be in those sheets with you, I need you the most, can’t you see?

no, no you don’t see because you’re blinded by the spotlight and I can’t see

// I’m in the dark // in the dark // in the dark//

I knew you danced but you’re not a dancer, you are mine and you

work at a job you can’t stand,

just like everybody else but your strong thighs

give you away.

listen, listen, there’s a sound, there’s a sound,

there’s a great big fucking loud sound

that fills my ears like your tongue used to sometimes,

that makes me dizzy,

that pulsates out of the speakers, they’d call it Tchaikovsky but I call it

The End. why? because your feet are padding

against the floor as you leap further into a future where I am

memory, I am memory

because I do not dance like you and

dancers need partners, no?

and I’m squirming in my seat because

someone is eating popcorn and the plastic butter smell is clinging to

my nostrils like periwinkles and

I know I’m slowly going mad because

a baby is getting restless down the aisle and

I want with a desperation I’ve never felt before for her mother to

whisper to me “sssh. sssh, it’s alright sweetie.” she knows, instinctively

as mothers do that I’m

counting the minutes until interval so I can

sprint to the ladies and vomit,

vomit everywhere because you look at

your women on stage differently to how you look at me and it makes me sick.

when will the show be over?

let it go forever,

for we will end at curtain fall.

 

 

 

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The Young Poetry

9 Feb

I have been kindly invited by my dear friend and newly appointed WordPress user, Jim Clifford, to guest post on his new blog, The Young Poetry. 

The poem is called “Flight.” It would be marvellous if you scooted over and checked it out!

Jim is one of my oldest friends. Our mothers knew each other when we were tiny tots at play group and then we met again in high school. I credit Jim with much of my creative zest (he introduced me to “Howl,” for Christ’s sake,) and my confidence in my writing due to his constant encouragement and honesty. 

A brilliant writer and poet himself, Jim’s new blogging initiative, The Young Poetry, is a marvellous notion. Frustrated by the lack of avenues for unpublished, but enthusiastic poets to have a space for their work, he has created this blog in the hope of “scrapbooking,” (so to speak,) the poetry of his friends, and of new friends.

If you are interested in submitting, he provides an email on the homepage. I very much encourage you to do so. Jim has big plans for this blog and his passion for his craft will certainly see them come to fruition!

(N.B Apologies for my inconsistency in both blogging and commenting on my followers posts of late. It seems in my mad scurry to make the most of the last weeks of my fast-dwindling summer holidays, I have been sadly neglectful of blog world! The routine that comes with university will set me to right in no time.)

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How Austen prejudiced me – a tale of two genres

30 Jan

On the bookshelf of life, it seems, I have been overlooking some very important shelves.

Without intending to, and largely without acknowledgement, it has recently occurred to me that I, through the fault of my education and my context, have near to wholly ignored Eastern literature.

East and West – one of the greatest distinctions between the world’s most important art, folklore, inventions and of course, books. The question I ask myself today is “what has so prejudiced me against Eastern literature?”

And I partly know the answer. Her name is Jane Austen.

Now, I’m not suggesting that Austen bad-mouthed any aspects of Eastern culture and I was then hence inclined to think it a waste of time. You see, Austen, and all like her (those predictable authors that will forever dominate “best book” lists and “all-time classic” must-reads) have, unbeknownst to me, steered me against centuries of important Eastern literature.

In pursuing my course of serious reading, through my rather perverse obsession to read as many of the aforementioned “classics” as possible, I have sorely neglected books that have, by the same token, been neglected in such lists. I feel like too many people with too much influence over what we read have too little time for anything un-European or un-American. The word “classic” has increasingly been bothering me as well. Whereas I used to take it as gospel, I find the older I get, the more cynicism I employ in approaching it.

The other part of the answer is my parents. Like it or not, for better or for worse, our parents have an enormous influence on fundamental aspects of our education. If your parents are readers, chances are you are as well. Sometimes, I have nightmares that, in the future, my child will approach me, gingerly holding “Pride and Prejudice” between two fingers and say, “Mum, I hate reading.” The nightmare ends with me clutching the book to my heart, falling to my knees, screaming “NOOOO” in an overdramatic fashion.

…But I digress.

My parents, both excellent readers, fed me from a young age on a steady diet of “classic” literature. I had devoured Austen’s catalogue, as well as many Dickens, Gaskell, Hardy, Christie and Bronte by my early teenage years. I found myself becoming obsessed with ticking off all those “top ten” books. I stopped asking my parents for recommendations and instead began my own research into what other British and American authors I should delve into.

And yet, in hindsight, though this diet was plentiful and nutritious, and provided me with solid foundations, it lacked variety and flavour.

It wasn’t until perhaps two years ago that I began to broaden my prospects on international literature. I dabbled in books that had needed a translation to reach my mind. Learning to speak Spanish has piqued within me a now insatiable interest for Latin American novels.

And all the while, though my reading grows more varied in genre, Eastern literature (particularly of Asian or Middle Eastern origin,) continues to elude me. Even Murakami, a highly Westernised and popular Asian author, I still have not read. I believe this to be both to my shame and my detriment and I will read him soon. But why, as someone so devoted to the art form of reading, have I not done so already?

It is not a fear of “the other.” It is not that I am anticipating the works to be uninteresting, or irrelevant, or difficult. It is not even that I haven’t found the time; I seem to find time for the Tolstoy, Joyce and Woolf, but not for Gibran?

What is your opinion on this? Are we inundated with messages to read the “right” types of books in order to be best informed and most well read? Are you of the belief Eastern literature is ignored in the mainstream, and indeed, is this neglect deserved or unfair?

It seems though that there is a solution – to ask your advice on which books can best conquer my prejudice, and add them to the ever-growing “books I need to read” list. Start ignoring “classic” lists. Change my diet up a little. Who knows, maybe Austen and those like her will be kicked off the pedestal I have so long placed them upon.

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The apple tree in my heart

28 Jan

(I’m all better now, recovered from a particularly nasty bout of the flu. Thank you all for your kind thoughts and good wishes!)

 

I remember back in berry stained towns of a thousand year summer

when nets of bright yellow butterflies bespoke flutter

and a desire to be free.

 

I remember a secret longing that, expressed in fixed stares,

would begin with a spine, and end with a band-aid emotion.

I had no patience for time wasters, for the world was mine.

 

I remember a small creek which dribbled diamond water,

dotted with dragonflies. we caught them in our mouths and

in our hands, hoping to reach a higher place with the beat of their wings,

that murmured like the elderly in sleep.

 

I remember going to war with fairies, harlots and outlaws,

hoisting almighty weapons and spewing crepe paper. that particular love

began with flowers (they dropped off your fingertips like rainwater)

and you sowed them for a new spring, all over the woods and me, vibrantly coloured;

magenta, lime and fuchsia. and mine, all mine.

 

I remember abstract art woven from waxy crayons that

exploded out of my mind and all over the walls. depicting love, loss, intimacy and fear

the spiralled symphony of scribble was mistaken for “is that mummy?”

fools.

 

I remember back in crushed eucalypt towns, which fragranced fingers with the song of happiness,

I couldn’t find the words on my tongue. Lost, hapless, and chiselled into rough sandstone,

I stood frozen in the old square. bustling markets with crafts, coconut ice and dogs with expressions that one never sees on humans. pure, unfiltered bliss.

 

I remember eating apple seeds and, as I hoped,

an apple tree grew out of my heart.

it grew through my ears, through my eyes, through my mouth,

long, spindly braches that hung with the weight of the apples on the end,

near to snapping with the burden of their expectation.

the tree in my heart grew so big

that adults had to prune me.

they picked the apples, sold them at market, and burned my limbs for firewood.

they told me it was all a part of growing up.

and ever since, I don’t remember as much.

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This is just to say

21 Jan

Apologies for my lack of posting and commenting this week, but I’ve been terribly ill and could still be under capacity for a few days.

I’m looking forward to getting promptly back into writing and seeing what you’ve all been up to.

Louise.

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A lost bird

16 Jan

melting by the steamy roadside

soccer practice is over and the earth has been

plundered by spiked boots;

a boy waits.

all pinkish skin, cold sweat and bruises.

 

crows soar high above

(the scraggly one strayed.)

they tear lines like zippers

with their charcoal wings

in a swimming pool blue sky.

(he thinks the clouds looks like soft pearly tulle under ballet skirts.)

 

his eyes coated

with milk and sadness,

the dulcet looks he gives

to me and to you

deceive his past,

that haunts like skeletons.

 

waiting. it’s been hours.

“mum?”

 

lost boy,

the scraggly crow

who flies perpetually behind,

not in beat

with the other, felicitous birds.

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Feelers

10 Jan

much like the restful and sturdy heartbeat,

so too is time falling drop by drop,

separated by measured pauses –  perpetual until death.

 

though with you there is warm breath

on the frosted windows of our sullied expectation,

ineluctable like fallen soldiers in war.

 

we draw patterns with our fingers on the dew,

dancing new languages and

speaking new movements. movement that

roars into being, like waking lions. those are the dripping moments

that melt into the past like puddles.

and we forget that soldiers have ever died.

 

the shadows fall on the lawn, crisp and straight-edged

by a midday sun that illuminates the tips of your hair.

where have you been

forever?

 

night falls and I become afraid of

sleep, robbing me of hours I don’t have left and

tenderness throbs out of my throat drop by drop

like time. I’ve never had anyone sing to me yet

there is no sound.

 

instead I feel the sounds between my fingers

heavy, smooth and malleable like

wet sheets, or muscles.

 

and as I fell asleep on your chest I looked outside

and I saw peeking through the

greyed cotton clouds a single

light.

            brighter than one thousand candles drenched in inkwells

            of velvety darkness.

and the light never went out even though many, many people were

throwing tears, pitchers of water and their many, many sins.

no matter. on the stroke of twelve

we shall light a new fire.

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His last day

6 Jan

Honey, I’m home! Happy New Year readers and I hope you all had a marvellous Christmas. I am slowly getting around to catching up on all my favourite bloggers and just generally realigning my addled holiday season brain.

So in that spirit, as I wash away the alcohol soaked onto my skin and try and ferment something creative from this beach head full of saltwater, I am going to post an old short story that I wrote in 2009, when I was 18 years old. It was written as my entry for the Sydney Morning Herald Young Writer of the Year awards, open to anyone aged 15-18 in NSW and the ACT. As a result of this story, I was chosen as one of ten finalists and invited to read my story at a staged event at the Museum of Contemporary Art, Sydney. As well as this, the finalists were thrown a rather decadent lunch, writing workshops, and given a bunch of cool prizes. The winner (sadly not me) was published in the Herald.

I remember it as one of the greatest experiences of my life – the very first time someone other than my mum or my English teacher thought something of my writing, and it encouraged me to take myself seriously.

However, looking back over this story after so many years (published here in an unrevised form; there is so much I wish to do with it!) it is fascinating to note what I perceive as changes in my writing over the years. I have moved from events to people, from explanation to ambiguity, from beginning, middle and end, to something more “photographic” – capturing a moment.

Thus, my New Year’s Writing Resolutions are as follows:

  • Get back into short story writing. My obsession with poetry, whilst enjoyable, has been rather all-consuming!
  • Learn more about the art in general. What are your favourite short stories? Why?
  • Expand my subject matter. Stop writing about misunderstood creatives looking for meaning/love/a biscuit (joking.)

Do you have any New Year’s Writing Resolutions?

 

  •  

The room was tranquil that morning, when John Castle woke for a second time. An empty bottle of tequila clunked dully on the dusty wooden floor, as he lumbered out of bed. The alarm clocks’ wail was like an ice pick, puncturing the soft underbelly of his brain. No wife snuggled into him. No children scampered to say “morning, Daddy!” No roommate announced the coffee was ready, or that it was his turn to pick up the paper, or take the garbage out.

John Castle lived alone. He always had.

And so began another fastidious morning, with a shower, a shave, and a tin of halved peaches. He chose his navy tie, with milky opal stripes, and rammed his suitcase full of rumpled reams of paper. 

John left his apartment. Elevator, homeless guy, school bus. The street noise was deafening; the hum of a city just waking, just heaving into motion. As John fumbled for loose change to buy a muffin, he found his business card and stared at it. John Castle, assistant payroll officer for Smith, Benson and Smith, Chartered Accountants.

He had an unimportant desk in a routine grey room which echoed the clip-clop of high heels. He had an empty filing cabinet in the corner; just another one of hundreds in a building that radiated a stale smell of air-conditioning. He had a can of processed spaghetti for lunch. He had mindless chit-chat about reality television, other people’s children and the weather, with a group of people who didn’t care who he was. 36 years old; he had many things, but few of real value. Last month, for his birthday, John’s single, male friends came over with a thick slab of store-bought mud cake. John watched the pastel wax fall drop by drop onto the velvety icing, and thought about how he had never been in love. He was the kind who watched travel shows with wistful sighs, buying bigger televisions to see more clearly.

The 8:17 train was late again. John whistled an old Ella Fitzgerald number, but the thick noise overpowered his meek, momentary outburst of joy. Aboard the train, he squeezed next to a woman with a violet streak in her dark fringe. She was of the full-lipped, cropped-hair, long-eyelashed variety. She reminded John of an old, graceful movie star in a greyscale portrait.

John Castle absentmindedly flipped through the contacts in his mobile. There were only nine. His elder brother, who he hadn’t seen in fifteen years in case one of them should bring up forgotten memories and stupid mistakes of the past.  A pretty girl who worked at the coffee shop, who he never had the courage to ask out on a date. The rest were work colleagues, who only rang him to ask if he had finished processing the pay checks, and a few stubbled, lonely friends; equally unadorned, equally unattached.

John Castle thought about his so-called life, watching the junk dot the railway tracks.

When I was young, I wanted to live by the lake we visited in the summer. That lake was always warm, with reeds purring in the breeze. We rode canoes, gliding by; the water is full and heavy to push against. Yet it seemed weightless, like fairy wings.

My occupation of choice changed weekly. Fire-fighter, postman, pro-baseball player, baker, president of the universe.

My wife would be gentle and fun. Would preferably look like Faye Dunaway. I would teach my children to ride bikes along uncluttered roads. Grow old in the house by the lake. Home. No smog, no pretending, no suits, no noise. Just the shimmer.

John was all worked up now. He felt like he’d been smacked in the nose with a football. He clambered off the train and glanced at the departure times for trains to the seaside. He outstretched his arms, as if imploring atonement from the impeded underground sunshine. Feeling an incredible urge to skip work and go to the beach, John bargained with himself as he always did. If he had to wait more than ten minutes for a train, he knew it wasn’t meant to be.

Thirteen minutes.

(Goodbye, cold feet tingling in hot showers, goodbye microwave dinners, goodbye trying to make words from car numberplates, goodbye tumult and slander, goodbye timesheets and imitation paintings. Goodbye magazine clippings and the smell of fresh paint. Goodbye hummingbirds and three birthday cards. Goodbye lost lovers. Goodbye.)

John sighed, and surfaced at the top of the stairs. He smelled the salty pretzels as he walked past a street vendor. He saw a decrepit old woman screaming insanely on the corner. He saw the high-flyers; the designer ensembles, the mobile phones, the endless expressions in the sea of nameless faces. Exhaustion, self-importance, indulgence, boredom. Smiles were fleeting…Rare.

(And voices humming, “suspicious, suspicious,” began to resonate down vacant hallways. Innocence was about to die, and yet we scuttled unknowingly, keeping the peace, adhering to that which is unspoken.)

At the newsagency, John spotted a postcard with a deserted beach splaying across the horizon, where the water twinkled, even off cardboard. Out of the corner of his eye, John saw the gorgeous woman from the train. As she passed him, he felt hints of a smile on his face. He exclaimed,

“I’m quitting my job! I’m going to live by the sea!”

“Nice one!” the woman replied, as if she knew him, flashing a thumbs up, before vanishing into the multitudes of office workers.

John strolled into his building, carefully wording his resignation in his head. Emerging from the tower was Frank Findlay, one of his associates.

“Morning, Frank.”

“Hey, John.”

“Where are you going? We have a meeting in 10 minutes.”

“Just going out for a smoke.”

The elevator whirred up to the seventy-sixth floor. John began to unpack his briefcase. He sat at his computer and opened a new document. He tore yesterday’s page off his miniature calendar to reveal today’s date. September 11th.

Not just another day.

His last day.

And as John Castle sat back in his chair and noticed a plane in that looked too low and too close, he smiled at the thought, transfixed, mute, by what loomed towards him.

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I give you me (and my first video post.)

23 Dec

(Like I said, please forgive the horrific video quality and my hopefully partially decipherable accent! Here is the poem read in the video.)

 

I give you me

I hope you don’t mind, but it’s all I have

I give you me in the ill-formed letters of childhood

all missing teeth, cartwheels and questioning

right the way through to

skulking suburbia at dawn,

humbled, drenched in sweat, searching for dreams

and meaning, in wallpaper, and four wheel drives.

 

I give you me in sweetness and in rage,

when I hear the wail of sirens right in my throat because

I’ve broken another promise to remain chaste,

to remain in good bread, to remain here in this place.

like a fish swimming upstream, so too must I always move,

lest I suffocate. 

 

I give you me in flight,

as I distribute bold lettering across the skylight dotted horizon.

graphic, ugly typeface that smears mother nature with fluid, slander,

and my numerous regrets, like grains of rice.

 

I give you me tethered in rope, bound, gagged and stupefied,

waking from seventy two sleepless hours,

walking seventy two shoeless days,

wondering, with all my heart, where the fuck my breakfast is.

 

I give you me in flowering,

the creped curve of streamers, the closed eyes of dreamers,

and waking, my petals unfurl, meditate for a few perfect days in bloom,

then fall softly to the ground to die.

I flower, my roots deep in the ground, though I am young

with you my sun.

forgive me if I squint at your brightness,

the glints in your eyes white hot, like tendrils of burning magnesium.

(it’s not that I find your stare unsettling,

I’m just not used to being looked at that way.)

 

Best of all I’ll give you me when I wake up suddenly on 

warm, sultry nights, and all you’ll want is me and I’ll give you me. and at that moment,

it won’t matter that I only bloom for a few, perfect days

all that matters is you picked me.

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